Category: The Assyrian Fathers

  • The Assyrian Fathers: Mar Narsai Kinara D’rukha (Saint Narsai the Harp of The Spirit)

    The next figure I would like to focus on is who Mar Narsai was and his significance in the early Church of the East history. After my recent blog post about Saint Ephrem, it is only right that Narsai is next to talk about, being that he is the result of two great Saints in our Church, of both Saint Ephrem, and Saint Theodore of Mopsuestia, where he harmonized both the spiritual aspect of poetry, hymns, and literature of Ephrem, and the exegetical and theological skills of Theodore. When you take these two saints and combine them, you have the product of Narsai.

    Who is Mar Narsai?

    Narsai (c. 399–502) holds the title “Harp of The Spirit” along with Saint Ephrem due to their profound writings of hymns in the form of poetry, or as how we would say in Syriac “memre” which I explained a bit what they are in my recent blog post on Saint Ephrem. We would call them Harps of The Spirit because when they speak through their hymns, the beauty in it would be so rich, as if it is music being played through a harp, and conveying the messages of the Holy Spirit which is an active force that guides us in our daily lives.

    According to Fr. Andrew Younan, in his book titled “Narsai: Selected Sermons” the introduction attributes Narsai as growing up in the Persian territory of Northern Iraq, and later moved and spent some decades studying in the Roman Empire controlled city of Edessa at the School Of Edessa, which we previously also talked about in regards to Saint Ephrem and the schools establishment. This school later was shut down during Narsai’s time there under Emperor Zeno, after the theological controversies of the mid 5th century, on accusations of teaching Dyophysitism which the emperor saw as being heterodox. This forced Narsai to retreat back to Nisibis and was a major area that was controlled under the Sassanians in the Persian Empire. Him and along with the bishop of Nisibis at the time, then founded the school of Nisibis where Narsai flourished as the head exegete of the School, and became the new most prominent Christian School of Mesopotamia. He served here until his death in 503 and most of his works that we have surviving today were compiled in Edessa and Nisibis in our traditional Syriac tongue.

    The Scholarly Reception of Narsai

    According to Mar Abdisho Of Nisibis in a book titled “The Catalogue of Books of Abdisho Bar Brikha“, the works that are attributed to Narsai are as follows:

    Out of all of the works of Narsai that we have today, all his prose works on biblical commentary are unfortunately lost, and of the 360 homilies or “Memre” that he composed, only 82 survive to this day, which are listed in the footnote:

    Scholars such as Sebastian Brock and Aaron Butts, along with Assemani and Dom R.H. Connolly are some of the scholars who worked in history to preserve the manuscripts that we have of his works and translating them to english. The screenshots of Abdisho’s Catalogue of Books come from Assemani’s collection of Church of The East manuscripts under the title “Bibliotheca” of his first volume. Alphonse Mingana, another well known Syriac scholar compiled a two volume work of Narsai’s homilies which is briefly mentioned in a book by Frederick G. McLeod titled “Narsai’s Metrical Homilies” which you can read a few of his works in english, namely 5 memre according to about 17 different manuscripts. For homilies 1-79 that we have of Narsai available, the scholarly reception of them is mentioned in another book titled “Clavis to the Metrical Homilies of Narsai” by Sebastian P. Brock, Aaron M. Butts, and Kristian S. Heal where they also include the first screenshot of Abdisho citing Narsai’s works. This book however does not include the english translations of the works, rather only the manuscripts that they can be found in where you can read the Syriac for yourself. And finally, if you wish to read his liturgical memre, there is a book called “Liturgical Homilies of Narsai” where you can read 4 homilies in english in which he comments on the liturgy, priesthood, baptism, and the sacraments. This now concludes the scholarly reception portion of the blog post and we will now move on to examine some of these hymns and Narsai’s style of writing.

    The Memre of Narsai

    The way that Narsai structures his memre is similar to the style of Saint Ephrem, which we can see how strong he takes after of him, as they mostly are composed of 12-syllable metre’s, and a few in 7-syllable metre’s, which was the style that Saint Ephrem took on. So for Narsai, he essentially was influenced by the poetic style of Ephrem which we can see as being due to a factor that they both studied at the School of Edessa, and took on that same style and employed his own touch to it, which he then reciprocates at the School of Nisibis later on. If you remember the last blog post we did on Saint Ephrem and the hymn I shared of his, I will share another one of Saint Narsai, that is actually recited literally right after that one for Sunday Morning Prayers. See the screenshots down below:

    And again as always for those who do not read Syriac, I have the english translation as well:

    For those who do read Syriac though, if you can quite literally count the syllables of that hymn, you will see that they are structured in a specific way where they all match the same syllabic structure. These hymns by Narsai focus mainly on exegetical interpretations of the Bible, expressions of Theology, and of course a liturgical aspect of the Divine Liturgy that is performed. We can see this in the example above, which is titled as the “Praise of Narsai” where he references biblical passages such as the Parable of The Lost Sheep (Matthew 18 and Luke 15), the heir of the Son being a reference to Hebrews 1:2, and the washing way of iniquity in Psalm 51. These are just a few references to biblical passages in that one hymn where we see Narsai employ these topics in a poetic manner.

    Narsai‘s Christology

    Earlier in the post we talked about how Narsai harmonized the theology and exegetical prowess of Saint Theodore of Mopsuestia, along with the poetic genius-ness of Saint Ephrem. Since we have now established that Narsai takes after Ephrem, and expresses the faith similarly to him, let us now then see the incorporation of Theodore in his writings.

    According to McLeod in the “Metrical Homilies of Narsai”, which covers the major Christological homilies, he gives a reader insight to the works of Theodore, by acting as sort of a lens that we can see through to get an understanding of how these Christological doctrines were received into the Church and overall upheld as being a continuation of the faith. His homilies are centered under an apologetical framework, being that he was a Saint who lived through some of the major first early church controversies, such as Ephesus 431, Chalcedon 451, and the robber synod of Ephesus 449. So with that, it is right to say that his works are a reflection of these disputes, which can also relate to Ephrem who was writing in a time where he was arguing against many early heretics such as in the followers of Arius, Bardaisan, Mani, and Marcion.

    What differs with Narsai however, is his Christological framework is alot stricter and is seen as more defined compared to Ephrem, and that is partly due to these schisms that occurred. Because you now had factions in the Churches that were claiming that Christ was either in two natures (Chalcedonians), or of two natures (Miaphysites) and in one composite nature, Narsai had to make it very clear what it was he was trying to express on behalf of the Church of The East faith. Ephrem on the other hand was dealing with a completely different form of heresies that he had to deal with which is why his expression of Christology is more loosely seen and ambiguous. What Ephrem was dealing with was more so on the Gnosticism of Bardaisan, and Mani, and the Di-Theism of Marcion. Since Narsai was dealing with the formulation of Christology, it would only logically follow that he too would give his framework, being that he and the rest of the Church of The East confess, that Christ is One Person (Parsopa) in 2 Natures (Kyaneh) and 2 Qnome. You can see the screenshot below in reference to the Liturgical Homilies book I mentioned earlier where he says this explicitly:

    Narsai and Theodore

    This then leads us into Narsai and the influence of Theodore in his writings, which when reading the top screenshot, you can actually see him give credit to whom we know as the Three Greek Doctors (Malphaneh Yawnayeh) of the Church of The East, one of them of course being Theodore.

    Based on my personal readings, it is almost a universally accepted fact amongst scholastics that Theodore was the main authority of Narsai which is why he is seen as such a huge influence to him. We can see this in the emphasis that Narsai draws in regards to the human nature of Christ, which was something very typical on behalf of the antiochian school and its followers, that emphasized more on the humanity of Christ. This was due to the fact that their main opponents were Appolinaris and his followers, who believed that Christ was simply just God the Word “enfleshed” and that humanity was more so an empty garment, and thus not a real rational humanity. For example, in Fr. Andrew Younan’s book on Narsai, he references the Memra on the forming of Adam and Even where Narsai says “The Creator wanted to instruct rational beings through his image, Adam.”

    Fr. Andrew Younan also notes this in his book as referring to Memra 81 as being a Memra dedicated to refuting those who deny the rationality of the humanity in Christ. The central core of Narsai’s Christology would be none other than the verse John 1:14 from the Bible which states “the Word became flesh and dwelt among us”. For Narsai, the question of how exactly the Word becoming flesh, is where he gets his Christology from. He rejects that it becomes flesh naturally, which mean a two nature formula becoming one is automatically ruled out, and the only logical solution for Narsai is to maintain a proper distinction between the natures and their qnome, to fully preserve the integrity of each. This is where his two nature and two qnome Christology come from along with the Greek Doctors who believed the same.

    This now concludes the article on Narsai, and one day God willing we will do a deep dive into the exact Theology/Christology of Narsai. God Bless.

  • The Assyrian Fathers: Mar Ephrem Raba (Saint Ephrem the Great)

    There are many things to be proud of when it comes to being part of the Church of The East, but I believe one thing that makes us so unique, and such a beautiful Church full of richness in history and tradition, has to be the liturgical aspect. We have had some of the greatest theologians and authors of various historical works, along with ascetism, such as in Mar Abdisho, Metropolitan of Nisibis and Armenia, Saint Isaac of Nineveh the renowned monk and bishop, Youkhanan Bar Zo’bi, Elias of Nisibis, Babai The Great, the great doctors and theologians of the Church, and many more which are not named. I mean, just look at this description of Mar Abdisho and what he did during his life:

    Who is Saint Ephrem?

    One particular Saint who is revered deeply by not just our Church, but as a universally venerated Saint, is Mar Ephrem Raba, or Saint Ephrem the Syrian (Syrian being the word Suraya in the classic Syriac language). He is arguably known as the most notable hymnographer across the entirety of Christianity, and he has left a powerful impact on the daily liturgical use in the Church as his Hymns, and Qaleh (Tunes), are still in use today, in which I will later link an example of a hymn that is sang every Sunday Morning for Sloota D’Sapra (Morning Prayer) to get an insight on the poetic genius-ness that he was. (For those who follow my instagram page or are clerics in the Church, you might already be familiar with this one).

    Saint Ephrem was born around the year 306 A.D in the city of Nisibis and grew up to eventually become a Deacon in the Church, which is why most of our Clerics usually refer to him as being the Patron Saint of Deacons, and why we have a small seminary here in Chicago named after him which is dedicated to raising up Deacons in the Church. He was also believed to be apart of a Proto-Monastic Syriac group of the Church called the “Sons of The Covenant” or in Syriac we would say “Bnay Qyama” (ܒܢܝ ܩܝܡܐ). This was mostly developed as a counter to Marcionism and Manichaeism which we can also find Saint Ephrem as being one of the biggest writers who wrote against their heresies, especially in the form of his madrasheh, which are essentially a type of poetry that is written in stanzas with syllabic verses which again will be demonstrated later with a hymn from him. You can read more from Saint Ephrem the way he structures his poetry in an excerpt titled “Songs and Prayers Like Incense: The Hymns of Ephrem the Syrian” by J. Barrington Bates who talks about this.

    He is also very notable and credited as being the one who founded the School of Nisibis, however others also credit it to being founded by Saint Jacob of Nisibis, either way at the very least they both were considered to be the heads of the School. Later very important Syriac Saints such as Mar Narsai of Nisibis grew up and learned, and adopted a similar style of writing as Saint Ephrem, in this very school and as well became the head of the school. One day by the Grace of God I will also make a separate post about Mar Narsai and go into depth of him. This eventually became the learning center of the entire Church of The East where Theology, History, Language, Philosophy, and even Medicine were all taught. Think of it as like an early religious college/university that our forefathers would have attended.

    The Hymns of Saint Ephrem

    According to Kathleen McVey in which Bates cites in his book, there are hundreds of hymns surviving till this day with some being lost in history. He wrote on numerous topics such as:

    • Hymns on Faith
    • Hymns on Nativity
    • Hymns on Paradise
    • Hymns on Lent

    And many more aside from this, as he was a very prolific writer, all aside from his commentaries on the Diatessaron, a 2nd Century Syriac Gospel Harmony written by Tatian the Assyrian (who later fell into heresy). An article titled “Ephraem’s ‘On Repentance’” written by T.S. Pattie cites a historian by the name of Sozomen who credits him to have written over 3 million verses. If that isn’t considered prolific than I dont know what is. I think honestly the funniest and yet coolest thing about Saint Ephrem aside from all his literature, has to be the entire motive behind this all which all stems from his opponents Bardaisan and Mani. Bates in his book cites this:

    “He set his own texts to the tunes of Bardesanes,
    whose metrical psalms were popular in Ephrem’s time, and still
    sung until the first half of the fifth century. Bardesanes (properly
    “Bar-Daisan,” 154-222 C.E.), whose Gnostic doctrine Ephrem
    “strongly denounced,” earned the title of Father of Syrian
    Poetry through his metrical psalms. What little is known of Bardesanes’s theology was learned mostly from its refutation in
    Ephrem’s work. In retribution for Bardesanes’s heresies,
    Ephrem, one historian tells us, composed new psalms based on
    the same meter and with the same verse and stanza structure. In
    spite of this retributive borrowing, most of Ephrem’s melodies
    were, in fact, original to him, discrediting the medieval tradition
    that early Christian hymn writers frequently used “secular or
    pagan melodies in order to win the hearts of the people.”

    So Saint Ephrem quite literally took the style of writing in which the heretic Bardaisan would write in, used it AGAINST him as a form of refutation, and on top of that I would argue even did it better lol. Imagine you come up with a style of art and someone basically steals it and uses it against you, that is essentially what Saint Ephrem did.

    Now lets actually examine some hymns of his and see what it is exactly that made him so great, after all it is best to see for yourself. Here is a hymn titled “The Praise of Mar Ephrem” which I mentioned is sung every Sunday morning for prayer prior to the start of the Divine Liturgy:

    Screenshot
    Screenshot

    The above images are taken from one of our liturgical books titled “The Book of Before and After” or in Syriac would be “Daqdam Wadwathar” (ܟܬܒܐ ܕܩܕܡ ܘܕܒܬܪ) The link is embedded above and for those who can not read syriac, do not worry for I have an english translation as well down below:

    Screenshot
    Screenshot

    The above screenshots can be found in the book titled “East Syrian Daily Offices” By Arthur John Maclean which is also embedded as a link to page 167 of the translation.

    For those who do or do not read or write assyrian, notice the red letters in the Syriac that I provided in the first screenshots. What Ephrem is doing is using those letters as the first letters to the first word of every first verse in this hymn, almost as if he is subtly trying to spell something out. It goes as follows:

    ܝ – (yodh)
    ܐ – (alap)
    ܫ – (sheen)
    ܘ – (wow)
    ܥ – (ain)

    ܡ – (meem)
    ܫ – (sheen)
    ܝ – (yodh)
    ܚ – (khet)
    ܐ (alap)

    Which gives us the words ܝܐܫܘܥ ܡܫܝܚܐ does this sound familiar?

    The above screenshots can be found on http://www.sargonsays.com/

    The emphasis that I put on this as an example of the deep literature and liturgical tradition that we have in the Assyrian Church of The East is that the central form of worship is prayer itself. Writers like Saint Ephrem are perfect examples of this and how beautiful it is to be able to be apart of this Church, and pray how Saint Ephrem and the rest of the Early Syriac Fathers did. These hymns are meant to offer praise up to God, and have been carefully styled in a way so sophisticated, with tunes that accompany them, where you feel really spiritually connected to God himself. With that I will conclude this as being the first part of my series on the Assyrian Fathers of the Church of The East. God bless you all.